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Is Nikkor 50mm 1.2 on D800 any good for portraits?

hulk2012

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I'm planing on buying NIKKOR 50mm 1.2 for my d800 and wonder what are your thoughts on them as well as what are on nikon MF is like from your experience used in portraits?
 
Haven't used it but heard it is tack sharp. Can't imagine it on a D800!
 
I have it, but I've only used it on the D700 which is only 1/3 of resolution. The only thing I will caution about is it being a manual focus lens. For studio portrait, it will be great, but otherwise, you will have to practice hard to get the focus right.

Quality wise, I think it's very similar to the F1.4 version. I don't know, never really did a side-by-side comparison.
 
50mm is not a focal length I would expect to see much, if any use in a studio unless you're doing a group shot, and then the 1.2 is going to be wasted.
 
My guess is you will not be able to focus it accurately enough to achieve satisfyingly accurate and precise manual focusing results if the lens is used at wider f/stops...even f/2 is dubious, in my experience, in many situations that are even the least bit non-static. Why? It's the viewfinder screens in d-slr cameras! These viewfinder screens do NOT, I repeat, they do NOT show the limited depth of field of wider aperture values; what is seen through a modern d-slr screen is roughly around f/4.5 depth of field wise...which means that what you see, visually, is NOT as crisp and as IN-focus nor as OUT-of-focus as you'd see with say a 1970's or 1980's manual focusing SLR's viewing screen. You're focusing by eye with basically moderate aperture depth of field, but if you happen to be photographing at say f/1.4, the chance for focusing boo-boos is wayyy high. If the subjects are moving, then the problem just gets worse and worse.

And as Tirediron mentioned, 50mm? Not that useful as a studio lens length! I'd want something longer, like maybe the Cosina/Voigtlander 58mm f/1.4 for a specific example. 50mm forces you to be sooooo close to people...the distortion of the body and features is pretty apparent, compared against a longer lens length. Outdoors, in real, actual social situations is where the 50mm lens shines, but honestly, I think the newer autofocus lenses are the smarter bet for more situations; you will find out soon enough that with a D800, if your focus is not EXACT, that your 36MP camera's photos look like they were made using a 10MP camera. Focusing is becoming more and more and more of an issue as MP counts soar.
 
If i knew this 1.2 was this cheap i would have bought it instead of the 1.4. Normal everyday 1.8 photographers might not know it, but we aperture hogs know the difference. Get that beautiful piece of glass. THAT's RIGHT! I see you popping up your flash!
 
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Not sure where the comments about sharpness are referring to because just about every other 50mm nikkor is sharper. The advantage if the 1.2 is the lack if sharpness and contrast wide open and excellent bokeh for portraits. Disadvantage is weight.

Just make sure to get the 9blade aperture version.
 
Not sure where the comments about sharpness are referring to because just about every other 50mm nikkor is sharper. The advantage if the 1.2 is the lack if sharpness and contrast wide open and excellent bokeh for portraits. Disadvantage is weight.

Just make sure to get the 9blade aperture version.

I will double check it to make sure it's 9 piece mate. Gotta treat my baby d800 by these 50 1.2 bad boys, 135 f2 DC and profoto d1 set to kill the portraits though..
 
50mm is not a focal length I would expect to see much, if any use in a studio unless you're doing a group shot, and then the 1.2 is going to be wasted.

This was my assumption... on a FF camera, 50mm is wider than you would expect, so you're going to need to get in reeeeeeeeeally close for a portrait.
 
50mm is not a focal length I would expect to see much, if any use in a studio unless you're doing a group shot, and then the 1.2 is going to be wasted.

This was my assumption... on a FF camera, 50mm is wider than you would expect, so you're going to need to get in reeeeeeeeeally close for a portrait.

Yeah you right. I'm also building reportage portfolio so they will be perfect for it. And the night candids against some nights city lights with that gentle flash to lit the face. Something like that
 
too much distortion. 50mm is way too short. 70mm is about where I draw the line.
 
50mm on FX for portrait ?

I wouldnt bother, Iove my Nikon 85mm 1.8G or even my Nikon 60mm 2.8G for portraits and thats on a crop sensor D7100.
Also from what I hear the more experienced photographers here they rarely use a very open F stop for their portraits, they want some DOF in their picture.
Me usualy I use between f2.8-4 for my portraits.
 
You could use it in crop mode. It would make sense there, and the point of the D800 is pixels to burn. Mega sharpness isn't usually what you're looking for with portraits. This could be a flexible choice for you. Similar to a zoom lens but you crop instead.
 

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