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100mm for portrait ?

shinares777

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Hi guys,

I know 100mm 2.8 macro is supposed to be used to take MACRO pictures but I also read many good reviews saying this lens can be used for portrait. I havent bought the lens yet but i want to know: lets say i want to take a full body picture, since it is 100mm, does it mean I have to stand far away from the object ? How far is it going to be ? Any suggestion ? Thanks...:)
 
lets say i want to take a full body picture, since it is 100mm, does it mean I have to stand far away from the object ? How far is it going to be ?
Once you get the lens on your camera, it should take you less than 10 seconds to figure it out. ;)
 
I just used this lens this morning to take a portrait. I think it's a great portrait lens. A little long on a crop-body though. It'd look fine, but you may not have enough room. You'd have to get back quite a ways to frame a head and shoulders shot.
 
I just used this lens this morning to take a portrait. I think it's a great portrait lens. A little long on a crop-body though. It'd look fine, but you may not have enough room. You'd have to get back quite a ways to frame a head and shoulders shot.

This depends on the size of your subject. Taken from 1.63m or 5.51ft.

5389795660_ff04f26fa4_z.jpg
 
That is a great lens and probably my must underused lens. I have used it for portrait work but it is so sharp that you see every imperfection. My wife has since told me not to use it when taking pictures of her :)
 
100mm is a good working distance for portraits really, you can safely take headshots aswell with a 100mm lens (you won't distort facial features for a start). As for the fact that Macro lenses are sharp, you can easily soften the image in post processing.
 
Thank you so much about this discussion and all the links provided!
 
The 100mm macro is a pretty good portrait lens on the whole and it's optically stunning right across the aperture range. The only weakness I have found is a tendency towards slight distortion for full face portraits where the nose can appear a little bigger than in reality. Strangely this is not evident from a little further away or if you use it as a genuine macro. Don't underestimate the 24-105L for portraits, which I find particularly good at around 85mm. At that focal length it can focus closer than the 85mm F1.8 and the quality in my experience is excellent.

With the 100mm lens you will have to stand several meters away from a person to obtain a full length shot, whereas you could use the zoom quite happily at about 50mm to good effect. One lovely quality about the 100mm macro is the way it separates the main subject from the background at wide apertures. It's a quality lens by any standard.
 
I tried the 100mm as a portrait lens a few times. It was unsatisfying compared to other lenses for me. First, I needed more versatility in a portrait lens than was afforded by a fixed focal length. Second, the 100mm does require you to stand a ways back, and this can be a problem in a small space, such as a studio. Third, the lens isn't the fastest focusing thing in the world. Fourth, while the lens is very sharp (designed to be a macro), sharpness super sharp is not always what you need in the studio. I'd say it's best used for its intended purpose.
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I shoot headshots and although I generally find a longer lens to be more faithful I find it depends a lot on the subject, in particular the proportions of their face and its features. Most of my headshots have used an 85mm but sometimes I prefer the 50mm, or my 75-300 - please see examples of all three at my london headshots website: Shots and Reels London Headshots - Actor Headshots London London Headshots
 

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