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Best lenses for a noob with a Canon Eos Rebel T2i/550

mungojerrie

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This is going to be my very first SLR. I'm a NOOB noob. I don't actually have the camera yet, but from the research I've done it seems like a good one to start with. I'm thinking of just getting the body, and not the kit. What lenses would you recommend?
 
Lens choice is based on what you are going to be shooting, and you did not say what you will be shooting.
 
I started with the kit lenses then slowly added. they are a good start before you take out a second mortgage on lenses.
18-55 and 55-250 are a nice start for the T2i
if you start feeling frisky the 50mm f1.8 is a cheap prime lens at only $114
 
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I would suggest getting the camera body and the kit lens and then using it or a few weeks/months and see how you are after that. Part of choice is based on experience and needs and you won't be able to make a call on either of those factors until you have used the camera for a while. This helps you get a feel for what focal lengths mean, what apertures mean, what you like to and how you like to shoot etc..


The other part of a DSLR kit is your needs, whilst the above outlines that experience is important there are also many specific situations which have general requirements in gear that you can't normally avoid. As such if you have specific subjects and situations in your mind that you want to be able to shoot then give us an idea of what they are - we can better suggest items that would suit getting into those interests.

Lastly there is budget, how much you have to spend is very important as there is a whole range of products on the market, both very cheap ones and very expensive ones. Having an idea of where you are on the finances helps a lot as it means you won't get suggestions that are too far beyond your means to afford (although there are always limits as to how cheap one can go whilst having an effective setup).
 
A.) What are you shooting?

B.) What is your budget? The 400mm f/2.8L IS II is a heck of a lens but unless you are interested in spending $11,000 it really is not for you.

Gabe
 
The challenge in asking this kind of question, is that you don't know what you don't know. The lens is a tool to solve a problem. Depending on the problem to be solved, the most appropriate tool will vary. So... Overread's suggestion is a good one. Start with basic equipment and pick up the knowledge that you will need to KNOW what your needs are. Shoot at least 5000 photos, under all kinds of conditions and of all kinds of subjects. Pick out the best 20 or so and see what area you seem to be good at. Pick another 20 or so which you WISH you would have gotten, and see why you didn't nail them. It could be equipment, but more than likely it will be lack of knowledge or skill. Sure, it's fun to buys toys. But they, by themselves, won't make you a better photographer.
 
Although it's a but bulky, I'm very happy with the focal range of the efs 18-200mm 3.5-5.6 is that came with my 60D. I think you can purchase it new for about $300. It has a small amount of vignetting at minimum focal length when the polarizing filter is on.
 
The reason Canon offers the EF-S 18-55mm f/3.5-5.6 IS zoom lens (and Nikon offers a similar kit lens with their entry cameras) is because that lens offers a "standard" working zoom range that goes from wide (but not ultra-wide) to a very modest telephoto length (but nothing extreme.) Optically it offers fairly good results. But the most important feature of the lens is that it keeps the costs DOWN to something very reasonable.

Consider that there is a REASON they make so many lenses. If any one single lens could be "it" then that'd be the only lens they made and there'd be no point to having a camera that has the ability to remove and change lenses. The reason they make so many is because no one lens is the "best". It really depends on what you're trying to shoot and what your shooting conditions are.

Canon makes an EF-S 17-55mm f/2.8 IS USM zoom lens. Notice it's nearly the same zoom range as the kit zoom (1mm shorter on the wide end, but the same focal length on the long end.) But notice the focal ratio is simply "f/2.8" rather than the range "f/3.5-5.6". That's because this lens can maintain a constant focal ratio through the full zoom range AND it gathers significantly more light (it's an f/2.8 lens... at a 50mm focal length the kit zoom's widest focal ratio is f/5.6 compared to this lens at f/2.8. f/2.8 gathers FOUR TIMES more light as compared to f/5.6. That means the shutter speed can be four times faster... or you can reduce the ISO setting you'd otherwise need to use so the image has less "noise", etc.

The lens also has internal focusing (end of the lens doesn't turn when it focuses... really nice when you've got a circular polarizing filter attached) and it has the much faster and quieter USM focusing motor (great for action shots where the focus distance keeps changing while you're trying to shoot).

Sounds great, right?

All this comes at a price... whereas the kit lens would sell for about $200 new, the 17-55mm f/2.8 lens sells for closer to $1100 new. Basically you get what you pay for.

There's no question the 17-55mm is the better lens, but mostly what the 17-55 is better at are what I call the more extreme cases... where you're pushing the shooting situation to the edge. If it's a fine sunny day and you're shooting some extremely well-lit non-action shot, then both lenses are capable of excellent results. Most lenses do well in "easy" shooting situations. When the situation is less idea then those expensive lenses really make a difference. In fairness, the f/2.8 lens can also let you limit the depth of field for a nicely blurred background while your subject is still tack sharp. So while both lenses can get a good "exposure", the f/2.8 lens will give you more options and let you do some selective focus.

You could buy a lens that doesn't zoom at all -- these are called "prime" lenses. You "zoom with your feet". Walk forward and you'll notice the subject gets larger. ;-)

Of course you can't always just walk forward. Walk onto the field or court during a sports game and you may find yourself being escorted from the premises and asked not to return. But if your shooting subjects are such that you CAN control where you stand to get the shot, then primes generally have MUCH better focal ratios (they collect a lot more light, offer the ability to control the depth of field in ways that a consumer-grade zoom lens cannot) and generally outperform a zoom in every way EXCEPT the ability to zoom. A 35mm prime lens would provide you with something fairly close to a "normal" angle of view... meaning the camera sees comfortably what your eyes see comfortably... it's not wide angle... but it's not telephoto either.

Ultimately it's WHAT you like to shoot that dictates the type of lenses you should own. Landscape photographers prefer wider lenses. Portrait photographers prefer moderately (but usually not extremely) long focal lengths. Wildlife photographers seem to like lenses that are roughly 400mm... give or take. Photojournalistic and street photographers seem to prefer lenses that are pretty close to "normal" (give or take).

I should caution... they do make a category of lens called the "super zoom". Canon makes an 18-200mm. Sigma makes an 18-250mm. Tamron makes an 18-270mm! These are super-zooms. One lens to do it all... or so it would seem. In actual use, not so. They're all variable focal ratio lenses. None of them are "fast". Optical quality is mediocre -- not great. Generally a less-ambitious zoom will yield better results. The super-zoom class offers convenience as it's major advantage, but is disadvantaged in most other areas.

Canon makes an 18-135mm which is a less ambitious range that's probably as close to "all purpose" as I'd prefer to get. It's optical quality is still good (not outstanding, but decent).
 
To paraphrase what pretty much everyone has said here;

You need to know what you are going to shoot and how much you can spend. As a beginner, you don't know what you are going to shoot or how much to spend. The reason kit lenses exist is to give the beginner an inexpensive lens that has a relatively large focal range while providing decent image quality. As you learn the different facets of DSLR photography, you will also learn how the limitations of your lens will impact your photographs, which will help you select a lens that will improve your specific discipline.
 
Get it with the 50mm 1.8 it will start you off right,let your legs do the zooming,walk around looking thru the camera,go back,go forward.Learn to see,then later down the road you will know what you need yourself.Remember you take the picture not the camera it is your tool to get what you see...
 
I have this camera 550D (t2i) and I'm using these lenses: 18-55 and 55-250. The next lens I've my eye on is 50 f/1.8. I think most of 550D users follow this sequence based on their experiences with the camera. And I think after having more command over the camera people upgrade to full frame like 5d mark-II or mark-III instead of trying other ones likes 7D, etc.
 

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